![]() ![]() disappointed." 'I'm not lonely, Sherlock.' 'How would you know?'įor me, the relationship that blossomed the most in this episode was between Mycroft and Sherlock. ![]() When Sherlock finally reveals how he did it to Anderson, Anderson stares back, frustrated. The inevitable anti-climax was dodged because it was playful with the internet furore. In the end, the real explanation is almost exactly as the internet had predicted – involving obscured views, a large inflatable cushion, the bloke who looked like Sherlock who had scared the kidnapped children, and – well done if you spotted it – the squash ball he was bouncing in the hospital which was used to stop his pulse. But again, this is revealed to be a theory from someone in Anderson's conspiracy club, The Empty Hearse, and a nod to some of the saucy slash-fiction written by the more devoted fans. ![]() They stare into each other's eyes for a moment, then begin kissing. Later we see Sherlock drop a dummy version of himself before it is revealed that he and Moriarty were in on the whole thing together. The forensics expert, we learn, has become swivel-eyed and ridden with guilt at his role in Sherlock's undoing. In the explosive episode opener, Sherlock bungee-jumps off the building and through a window and has a passionate snog with Molly, while Derren Brown hypnotises John into a slumber for just long enough to fit Moriarty's body with a Sherlock prosthetic mask.Īlas, this turns out to be just one of Anderson's conspiracies. So instead of one explanation for Sherlock's survival, we got three. The real issue then, was not how Sherlock managed to survive a four-story fall, but how to make the reveal – after two years of waiting and such great expectations – not feel like a disappointment. Rumours and theories have abounded ever since, but as co-creator Mark Gatiss acknowledged at Comic Con earlier this year, "There's only so many ways you can fall off a roof and survive. Yet at the end of the episode, we'd seen him scurrying around his own grave. Sherlock fell to his death, in front of John and a bunch of other witnesses. Sherlock had to kill himself or Moriarty's assassins would have killed John, Mrs Hudson and Lestrade. It all works thanks heavily to the chemistry between Cumberbatch and Freeman, which alternates between wide-eyed wonder and exasperation to the point of the good doctor calling his pal a “dickhead” and a “cock.'A bungee rope, a mask, Derren Brown? Two years and the theories keep getting more stupid'īut before that, the question we all wanted answered: how did he do it? Sherlock's creators wrote themselves into a corner at the end of the last series. “Sherlock” deftly straddles a line somewhere between Billy Wilder’s “The Private Life of Sherlock Holmes,” with Robert Stephens (a film Gatiss not surprisingly has cited as an influence), and the asexual nature of the brilliant Sheldon in “The Big Bang Theory.” In this age of “CSI,” it’s no small feat to contemporize Holmes and still make his acute intellect a modern marvel, as well as juggle the we’re-not-gay, not-that-there’s-anything-wrong-with-that relationship with Watson. The second installment, meanwhile, answers the burning question of what would happen if Holmes had to sniff around a crime scene while blind stinking drunk. Without giving too much away, the opener contains hilarious theories about the means of Holmes’ faked death, as well as an arcane plot explaining why he had to disappear, involving brother Mycroft (played by Gatiss). Selfridge’s” Amanda Abbington), who proves surprisingly nimble at handling Holmes’ self-absorbed intrusion into their relationship. Fortunately, he’s also acquired a plucky fiancee (“Mr. Watson (Freeman) has spent the past two years grieving over it. Holmes’ brush with that villain – and his apparent death at season two’s close – dominate the third-season premiere, especially since Dr.
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